whatever ?The Tea Party? Innovation: Here, Jerry Herman finds himself hip-deep in twofold counterpoint, capturing the humorously deluded yet logical world of the three apprehensive ladies. Development: This song indeed grows larger in progression, until the breed counterpoint ensues. In terms of its limit, ?The Tea Party? is outline to its extreme. Transformation: The usage of counterpoint in this song is its virtually important element. The round here centers around three around the bend old woman each lost in their suck up world, concerned with their own problems.
Modes of Co mmunication: Jerry Herman is most comparable to Stephen Sondheim here, as Sondheim is most recognizable for his difficult melodies and use of counterpoint. The actresses in the dweeb I saw executed the song beautifully, never wanting(p) a note or beat. The audience responded to the song particularly well, perhaps because they recognized the difficulty of the piece, or enjoyed its humorous quality. ...If you want to get a full essay, order it on our website:
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