This is an adapted screen play from "Waiting for the Barbarians" by Cotzee

Waiting for the Barbarians: SCREENPLAY IN. GRANANRY -DAY TRACKING apoplexy- FRONTAL VIEW Magistrate and Joll are walking quickly down the hall. at that place are sleazy noises in the background of doors shutting and mickle walking) MAGISTRATE What if your prisoner is notification the truth, further finds he is non believed? Is that not a terrible stupefy? Imagine: to be vigilant to yield, to yield, to render nothing much(prenominal)(prenominal) to yield, (speech becomes red-hot and passionate) to be broken, yet to be pressed to yield more! And what a righteousness for the interrogator! How do you ever dwell when a piece of music has told you the truth? (gasp) Joll walks faster and Magistrate waterfall behind. COLONOL JOLL There is a current timber (verbal pause). A genuine tone enters the voice of a man who is telling the truth. dressing and experience train us to recognize that tone. (said with declaration and assurance) neighboring UP- MAGISTRATE show a ggravation MAGISTRATE The tone of truth! TRACKING ray of light - FRONTAL VIEW MAGISTRATE Can you pick up this tone in every day speech? Can you judge whether I am telling the truth? (said as he catches up with Joll) Both men stop and face to each one other. COLONEL JOLL No, you misunderstand me. I am speaking only of a special situation now, I am speaking of a situation in which I am probing for the truth, in which I have to exert pressure to find it. showtime I trance lies, you see - this is what happens-first lies, consequently pressure, then more lies, then more pressure, then the break, then more pressure, then the truth. This is how you get the truth. Magistrate continues on by himself into the prison section of the Granary. IN. prison - MID DAY SILENCE - echoes of disregard whispers LONG picture Magistrate pulls... If you want to get a full essay, order it on our website: OrderCust omPaper.com

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